Access Intimacy in Media Accessibility

The Audio Description of Where Memory Ends

Authors

DOI:

https://doi.org/10.47476/jat.v7i2.2024.299

Keywords:

ableism, access intimacy, alternative media accessibility, disability justice, standard access

Abstract

Using my documentary Where Memory Ends (2022) as a case study, this article tracks the journey from the standard audio description offered by the production company to the alternative approach I ended up using. An initial section on standard, compliance-based access currently implemented in Spain and the UK is followed by a discussion on alternative media access viewed from the wide lens of disability justice. This section draws on disability studies to explore the notion of disability that underpins standard and alternative media access. It focuses on the discrimination suffered by disabled people in the UK during the COVID-19 pandemic, as it follows the link between participation, representation and (alternative) media access. The second part of the article presents the notion of access intimacy as it applies to the alternative audio described version of Where Memory Ends, looking at how it can be built into media accessibility research, practice and training, not as an obligation, but as a socially and politically transformative form of human connection.

Lay summary

Using my documentary Where Memory Ends (2022) as a case study, this article tracks the journey from the standard audio description that I was offered by the production company to the alternative approach that I ended up using. An initial section on standard, compliance-based access as currently implemented in Spain and in the UK is followed by a discussion on alternative media access viewed from the wide lens of disability justice. The focus is then placed on the notion of access intimacy and, more specifically, on how it applies to the audio description of Where Memory Ends and how it can be built into media accessibility research, practice and training.

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Author Biography

Pablo Romero Fresco, Universidade de Vigo

Pablo Romero Fresco is senior lecturer at Universidade de Vigo (Spain) and Honorary Professor of Translation and Filmmaking at the University of Roehampton (London, UK). He is the author of the books Subtitling through Speech Recognition: Respeaking (Routledge), Accessible Filmmaking (Routledge) and Transformative Accessibility (Routledge, forthcoming). He is on the editorial board of the Journal of Audiovisual Translation (JAT) and is the leader of the international research group GALMA (Galician Observatory for Media Access), for which he is currently coordinating several international projects on media accessibility and providing consultancy services for institutions and companies such as the European Parliament and Netflix. Pablo is also a filmmaker. His first short documentary, Joining the Dots (2012), was used by Netflix as well as film schools around Europe to raise awareness about audio description. His first feature-length documentary, Where Memory Ends (2021), has been selected for the London Spanish Film Festival and the Seminci, in Spain.

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Published

2024-12-19

How to Cite

Romero Fresco, P. (2024). Access Intimacy in Media Accessibility: The Audio Description of Where Memory Ends. Journal of Audiovisual Translation, 7(2), 1–24. https://doi.org/10.47476/jat.v7i2.2024.299